Images Re-Vues (Dec 2022)

La liberté du double cadre

  • Vincent Amiel

DOI
https://doi.org/10.4000/imagesrevues.12650
Journal volume & issue
Vol. 10

Abstract

Read online

In his film The Passenger, which recounts the quest for an impossible freedom, Antonioni multiplies the frames within the frame, up to a famous shot that has become legendary, which underlines and erases the power of the frames.

Keywords